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Reviews

0171-4 SACD

TACET's Beethoven Symphonies

Ludwig van Beethoven
Symphonies No. 3 & 4
Polish Chamber Philharmonic Orchestra, Wojciech Rajski
TACET Real Surround Sound & Stereo
Tube Only / Transistorfrei

EAN/barcode: 4009850017141

Tracks

Nr.
No.
N°		 Werk - Satz
Composition - movement
Oeuvre - mouvement		 Komponist
Composer
Compositeur		 Künstler
Artist
Interprète		 Dauer
Duration
Durée
1Symphony No. 3 in E flat major op. 55Allegro con brioLudwig van Beethoven (1770 - 1827)
 Polish Chamber Philharmonic Orchestra
Wojciech Rajski
15:59
2 Marcia funebre. Adagio assaiLudwig van Beethoven (1770 - 1827)
 Polish Chamber Philharmonic Orchestra
Wojciech Rajski
13:58
3 Scherzo. Allegro vivaceLudwig van Beethoven (1770 - 1827)
 Polish Chamber Philharmonic Orchestra
Wojciech Rajski
5:32
4 Finale. Allegro molto - Poco andante - PrestoLudwig van Beethoven (1770 - 1827)
 Polish Chamber Philharmonic Orchestra
Wojciech Rajski
10:25
5Symphony No. 4 in B flat major op. 60Adagio - Allegro vivaceLudwig van Beethoven (1770 - 1827)
 Polish Chamber Philharmonic Orchestra
Wojciech Rajski
11:12
6 AdagioLudwig van Beethoven (1770 - 1827)
 Polish Chamber Philharmonic Orchestra
Wojciech Rajski
9:30
7 Allegro molto e vivace - un poco meno allegroLudwig van Beethoven (1770 - 1827)
 Polish Chamber Philharmonic Orchestra
Wojciech Rajski
5:49
8 Allegro ma non troppoLudwig van Beethoven (1770 - 1827)
 Polish Chamber Philharmonic Orchestra
Wojciech Rajski
6:22

total playing time: 79:05

Reviews

Pizzicato (05/01/2011):

(…) What is special about these recordings is (…) the sound recording that fully exploits the Surround effect. It not only feeds in the hall resonance through the rear loudspeaker, but also instrumental groups. more...

Pizzicato (05/01/2010):

Wojciech Rajski dirigiert die Eroica und die Vierte Symphonie in den Ecksätzen mit dem für seine Interpretationen typischen Drive, in den langsamen Sätzen mit viel Sinn für blühende Bläserfarben. more...

Pizzicato (05/01/2010):

"(…) Un aspect tout particulier de cet enregistrement est (…) la prise de son, qui exploite pleinement le concept d'effet Surround. Les enceintes arrière ne se contentent pas de reproduire la réverbération à l'arrière de la salle, mais aussi des groupes d'instruments. more...